*tap* Is this on?

[novapsyche]

I plan to attend a local poetry reading next month. In fact, I've been planning to read at this open mic since December; I think I'm finally going to do so.

The question I have for myself is, should I read something already published (which precludes the need for feedback) or still under construction? I've less than a handful of pieces that are unpublished yet still rise to the level I think is required for public airing. Normally, I'd lean to the latter option, but it's been so long since I read in front of an audience, I think such a piece would exacerbate my nervousness.

Writers/performers out there: What would you suggest?

(BTW, for local types: the monthly reading is usually held at Sweetwaters downtown, but in April the venue switches to the AADL downtown branch on the 14th.)

Comments

[blue-thundering.livejournal.com]

Which represents you best right now, as a poet -- the published work or the polished, not-yet-published work?

Honestly, I'd suggest countering your nervousness by finding a piece to read that best resonates with your emotive/structural/ideological place right now. The surety of the body driving the voice should help allay any insecurity that may arise in the new environment.

That said, best of luck with it! Please post to let us know how it goes!

[fizzyland.livejournal.com]

I'd say pick a piece you like reading aloud - whether it's been previously published or not. Public performance makes me nervous as hell but it is fun.

/Debate team

[kittenkissies.livejournal.com]

Read the already tried and true material. You know it better, and odds are few have read it.

[sarahmichigan.livejournal.com]

If it were me, I'd read something in progress because I think it'd give valuable feedback. But I can understand why that'd make you nervous.