Something strange is the soul on the earth.
George Trakl
Spilled melons rotting on the highway's shoulder sweeten
the air, their bruised rinds silvering under the half-moon.
A blown tire makes the pickup list into the shoulder
like a swamped boat, and the trailer that was torn loose
has a twisted tongue and hitch that he has cut away,
trimmed, and wants to weld back on. Beyond lie fields
of short grass where cattle moan and drift like clouds, hunks
of dark looming behind barbed wire. The welder, crooning
along with a Patsy Cline tune from the truck's radio,
smokes his third joint, and a cracked bottle of Haig and Haig
glitters among the weeds, the rank and swollen melons.
Back at St. Benedict's they're studying Augustine now,
the great rake in his moment sobbing beneath the fig trees,
the child somewhere singing, take and read, take and read.
What they are not doing is fucking around in a ditch
on the road to El Paso ass-deep in mush melons
and a lame pickup packed with books that are scattered now
from hell to breakfast. Jesus. Flipping the black mask up,
he reaches into the can for a fresh rod, clamps it,
then stares into the evening sky. Stars. The blackened moon.
The red dust of the city at night. Roy Garcia,
a man in a landscape, tries to weld his truck and his life
back together, but forgetting to drop the mask back down,
he touches rod to iron, and the arc's flash hammers
his eyes as he stumbles, blind, among the fruit of the earth.
The flame raging through his brain spreads its scorched wings
in a dazzle of embers, lowering the welder, the good student,
into his grass bed, where the world lies down to sleep
until it wakes once more into the dream of Being:
Roy and Maria at breakfast, white cups of black coffee,
fresh melons in blue bowls, the books in leather bindings
standing like silent children along the western wall.