Snagged from debate

[novapsyche]

This is apparently off the AP Wire.

NEW YORK (AP) - The White House said Wednesday it postponed a poetry symposium because of concerns that the event would be politicized. Some poets had said they wanted to protest military action against Iraq.

The symposium on the poetry of Emily Dickinson, Langston Hughes and Walt Whitman was scheduled for Feb. 12. No future date has been announced.

"While Mrs. Bush respects the right of all Americans to express their opinions, she, too, has opinions and believes it would be inappropriate to turn a literary event into a political forum." Noelia Rodriguez, spokeswoman for first lady Laura Bush, said Wednesday.

Mrs. Bush, a former librarian who has made teaching and early childhood development her signature issues, has held a series of White House symposiums to salute America's authors. The gatherings are usually lively affairs with discussions of literature and its societal impact.

But the poetry symposium soon inspired a nationwide protest.

Sam Hamill, a poet and founder of the highly regarded Copper Canyon Press, declined the invitation and e-mailed friends asking for anti-war poems or statements. He encouraged those who planned to attend to bring along anti-war poems.

Hamill said he's gotten more than 1,500 contributions, including ones from poets W.S. Merwin, Adrienne Rich and Lawrence Ferlinghetti.

"I'm putting in 18-hour days. I'm 60 and I'm tired, but it's pretty wonderful," says Hamill, based in Port Townsend, Wash., and author of such works as "Destination Zero" and "Gratitude."

Marilyn Nelson, Connecticut's poet laureate, said Wednesday that she had accepted the White House invitation and had planned to wear a silk scarf with peace signs that she commissioned.

"I had decided to go because I felt my presence would promote peace," she said.

Copper Canyon Press happens to be the press that published Erin Belieu's One Above & One Below, which I happened to check out from the library this week. Coincidences, they are funny.

There's some interesting stuff in this book. Here's a sample:

Against Writing About Children

When I think of the many people
who privately despise children,
I can't say I'm completely shocked,

having been one. I was not
exceptional, uncomfortable as that is
to admit, and most children are not

exceptional. The particulars of
cruelty, sizes Large and X-Large,
memory gnawing it like

a fat dog, are ordinary: Mean Miss
Smigelsky from the sixth grade;
the orthodontist who

slapped you for crying out. Children
frighten us, other people's and
our own. They reflect

the virused figures in which failure
began. We feel accosted by their
vulnerable natures. Each child turns

into a problematic ocean, a mirrored
body growing denser and more
difficult to navigate until

sunlight merely bounces
off the surface. They become impossible
to sound. Like us, but even weaker.